Classic Blues Rock Riff

IRON MAN FROM Ozzie Osbourne.

Ozzie Osbourne is one of the top creators of the

Classic Blues Rock Riff

His career has spanned over 40 years and is is still creating Classic Blues Rock riffs
Iron Man

Every guitar player who wants to play rock or blues nees to be familiar
with Ozzie Osbourne’s Classic Blues Rock riffs

Here is the Tablature for the Classic Blues Rock Riff Video


e------------------------------------------------------
B------------------------------------------------------
G------------------------------------------------------
D---4---7---7---9-9---12/9--12/9--12/9----7-7---9-9----
A---2---5---5---7-7---10/11-10/11-10/11---5-5---7-7----
E------------------------------------------------------


What makes this such a classic Classic Blues Rock Riff is that you slide the
flat 3 (8th/7th fret A string) a half step to
the major third.

Iron Man

Classic Blues Rock Riff

INTRO

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Classic Blues Rock Riff

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Jimi Hendrix Purple Haze Guitar Lesson

One of the classic guitar riffs of all time Jimi Hendrix Purple Haze Guitar Lesson

This riff was originally made famous at Woodstock. Though Jimi had played this many times before.

Reportedly, the song came into being after his manager Chas Chandler heard him playing the riff backstage and suggested that he write lyrics to go with it.

Here is the Jimi Hendrix Purple Haze Guitar Lesson riff.

The great thing about this riff is it changes up some basic blues patterns. Hendrix used lots of effects in the recording which also gives the psychedelic sound.

The riff starts out playing up the B D G the

Here is the Tablature for Jimi Hendrix Purple Haze Guitar Lesson :

E|--------------------------------------------
B|--------8--------------------8--------------
G|-----7--------------------7-----------------
D|--9--------7--5--------9--------7--5--------
A|-----------------5-s-7-----------------5--7--
E|--------------------------------------------


Remember to slide into he last note E (7th fret A string).

Jimi Hendrix Purple Haze Guitar Lesson information from Wikipedia:
The song is known for its use of the “Hendrix chord” (dominant 7 # 9) played as the first chord after the introduction. This chord structure was often used in jazz by artists such as Horace Silver in the early 1960s, but was not used in rock on a regular basis.

Jimi Hendrix Purple Haze Guitar Lesson

The intro itself is notable for its prominent use of the distinctive tritone interval, also used commonly by jazz musicians. It is sounded when Hendrix plays an E7 #9 (low to high: E, G#, D, G) on the guitar while the bass plays an E (and its octave); such a “dissonant” interval was unusual in popular music of the time.The guitar solo is played through an Octavia, an effects pedal that increases notes by one octave. The effect was developed by Roger Mayer, an acoustical and electronics engineer, and Mayer claims he made it in cooperation with Jimi Hendrix. A dubbed guitar part using the Octavia can also be heard during the outro.

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Jimi Hendrix Purple Haze Guitar Lesson

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Classic Guitar Riff

classic guitar riff

is that it also teaches the concept
of 2 note harmonies. Specifically the thirds harmony.

If you notice each sound is actually two notes played together.
In each sound the notes are a third apart.

F A
G B
A C
G B
F A

Lets Watch the classic guitar riff video and see if we can pick out the notes:

Classic Guitar Riff

Lets look at the

Classic Guitar Riff

Tablature:

e|7---8--10---8--7----12--13--15--13--12----7---8--10---8--7---5~--2--3-5|
B|8--10--12--10--8----13--15--17--15--13----8--10--12--10--8---3~--------|
G|-----------------------------------------------------------------------|x2
D|-----------------------------------------------------------------------|
A|-----------------------------------------------------------------------|
E|-----------------------------------------------------------------------|


Notice there are two basic shapes the thirds are played in.

The Major Form for the major third
and the Minor form for the Minor third.

The Major third uses:
Second finger on the B string
First finger on the E string

So for the first sound or Major third the
Second finger on the B string on the 8th Fret
First finger on the E string on the 7th Fret.

Or one Fret apart.

The Next Sound is a Minor Third:

The Minor third uses:
Third finger on the B string
First finger on the E string

So for the second sound or Minor third the
Third finger on the B string on the 10th Fret
First finger on the E string on the 8th Fret.

Or TWO frets apart.

This Classic Riff then goes up two more
frets and uses the same Minor Position.

The goes back down.

If we were just playing the simple melody
and not harmonizing the
notes would be Do re mi re Do.

The the Classic guitar riff jumps up to the 4th note of the scale to C
and repeats the pattern.

Give this riff a try because you are not just learning the riff but how to harmonize in thirds which gives this classic guitar riff a latin trumpet sound.

Classic Guitar Riff

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Guitar Riff Satisfaction

Here is a guitar lesson video with Guitar Riff Satisfaction and you can watch exactly how the riff is played.

Longtime a standard riff for guitar players the guitar riff Satisfaction
has a classic component that comes from the early blues guitar players.

You will notice how easy the riff is and only uses 4 notes.

The riff can be played in several different positions all over teh neck.

Guitar riff Satisfaction is usually played with distortion.

The Song is in the Key of E.

So the Notes B C# and D represent the 5 6 and flat 7
of the Key of E.

Guitar Riff Satisfaction

Watch This Video:

Here are the Chords and Lyrics to

Guitar Riff Satisfaction

CHORUS:
E A E A
I can't get no satisfaction I can't get no satisfaction (Improvise Until Riff)
———————————————————
E B7 E A
Cause I try__ and I try___ and I try__ and try__
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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A E A D A E A D
I can't get no I can't get no
||------2---2------2--4--5-----5—4-----2---2------2--4--5--------------------

A E A D A E A D
When I'm driving in my car and the man comes on the radio
5-----4---2---2------2--4--5-----5----4---2----2----2--4---5----5--4---------

A E A D A E A D
he's telling me more and more about some useless information
------2---2----------2--4--5-------5---4----2---2-----2--4--5----------------

A E A D A E D
supposed to drive my imagination I can't get no
-------5--4---2---2----2--4--5-----5--4----2--2------2--4--5-----------------

A E (NC) E A D A E A D
Oh no no no hey hey hey That's what I say
---5--4-----2---------------2--2---2-4-5---5--4----------2-2---2-4-5--5-4--||


E A E A
I can't get no satisfaction I can't get no satisfaction (Improvise Until Riff)
---------------------------------------------------------
E B7 E A
Cause I try__ and I try___ and I try__ and try__
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

guitar riff satisfaction is a blues based riff


A E A D A E A D
I can't get no I can't get no
||-----2---2------2--4--5-----5--4-----2---2------2--4--5---------------------

A E A D A E A D
When I'm watching my T.V. and the man comes on and tells me
5----4---2---2------2--4--5-----5----4---2----2----2--4---5----5--4-------------

A E A D A E A D
How white my shirts could be but he can't be a man cause he doesn't smoke
------2---2----------2--4--5----5---4----2---2-------2--4--5-------------5--4---

A E A D A E A D
The same cigarettes as me I can't get no
--2---2-------------2--4--5----5--4-----2--2--------2--4--5------------------

A E (NC) E A D A E A D
Oh no no no hey hey hey That's what I say
---5--4-----2---------------2--2---2-4-5---5--4----------2-2---2-4-5--5-4--2
||

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E A E A
I can't get no satisfaction I can't get no satisfaction (Improvise Until Riff)
---------------------------------------------------------
E B7 E A
Cause I try__ and I try___ and I try__ and try__
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


A E A D A E A D
I can't get no I can't get no
||-------2---2------2--4--5-----5--4-----2---2------2--4--5------------------

A E A D A E A D
When I'm ridin' roundtheworld and I'm doing this and I'm singing that
5-----4---2---2------2--4--5-----5----4---2--2---------2--4--5-------5--4----

A E A D A E A D
I'm trying to get some girl she tells me a baby better come back Maybe next week
------2---2----------2--4--5-------5--4-----2---2--------2--4--5-------5---4

A E D A E A D
cause you see I'm on a losing streak I can't get no
-------2---2-------2--4--5-----5--4-----2--2--------2--4--5------------------

A E (NC) E A D A E A D
Oh no no no hey hey hey That's what I say
---5--4-----2---------------2--2---2-4-5---5--4----------2-2---2-4-5--5-4--2-||

A E A D A E A D
I can't get no I can't get no
||-------2---2------2--4--5-----5--4-----2---2------2--4--5------------------

A E A D A E A D
I can't get no satisfaction
---------2---2------2--4--5-----5--4---2---2------2--4--5--------------------

A E A D A E A D
No satisfaction no satisfaction
5---4----2---2------2--4--5-----5--4----2---2------2--4--5-------------------

A E A D A E A D
No satisfaction I can't get no
5---4----2---2------2--4--5-----5--4-----2---2------2--4--5------------------

A
Oh no no no!
--5--4----2-|| <---------------END ON THIS NOTE

Formed in 1962, The Rolling Stones have become one of the world's most recognized and enduring bands. Mick Jagger and Keith Richards first crossed paths at Dartford Maypole County Primary School. A decade later the two had become avid fans of blues and American R&B, and shared a mutual friend in musician Dick Taylor. Jagger and Taylor were jamming together in Little Boy Blue and the Blue Boys. Richards would soon join the group and become expelled from Dartford Technical College for truancy.

After proving themselves with a series of chart topping hits, Jagger and Richards began writing their own songs using the pseudonym "Nanker Phelge." "Tell Me (You're Coming Back)" became the band's first U.S. Top Forty hit. January of 1965 was the year the Stones broke another # 1 in the U.K. with "The Last Time" and broke the top ten in the U.S. with the same tune. The band's next single, "(I Can't Get No) Satisfaction," held the # 1 spot for four weeks and went on to become probably their most famous.

< href="http://guitar5day.com/blog/2010/10/16/learn-guitar-r…e-of-your-life/">More Guitar Riff Lessons

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Learn Guitar Riff

I just posted a Learn Guitar Riffs video showing the signature guitar riff of Sunshine of your Life.

I will be posting a Series of Learn Guitar Riff videos for the Top Riffs of all time from Famous Guitar players.

Each video will show the riff and then slow it down so you can copy and learn the guitar riff quickly.

Sunshine of Your Life
It’s getting near dawn,
When lights close their tired eyes.
I’ll soon be with you my love,
To give you my dawn surprise.
I’ll be with you darling soon,
I’ll be with you when the stars start falling.

I’ve been waiting so long
To be where I’m going
In the sunshine of your love.

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According to Wikipwedia how Clapton Learn guitar riff:

Clapton’s guitar tone on the song is created using his 1964 Gibson SG guitar and a Marshall amplifier. It is also believed that a Vox Clyde McCoy Picture Wah is placed fully in the bass position for the solo section. The song is renowned is a top learn guitar riff among guitarists as perhaps the best example of his legendary late-’60s “woman tone”, a thick yet articulate sound that many have tried to emulate. For the solo Clapton quoted the opening lines from the pop standard “Blue Moon,” creating a contrast between the sun and the moon.

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Stairway to Heaven Tablature.

Hello everyone. There is one guitar song that has made more people want to play guitar than any other and that Sairway to Heaven and more searches for Stairway to Heaven Tablature.

The initial riff from the “Stairway to Heaven” song by Led Zeppelin, released in late 1971 and since then having become one of those songs that every guitar player attempts to play at one time or another. The song, almost eight minutes long, is made up of several sections, which increase in speed and volume. I would want you to take a look at the intro riff, which resembles a lot a slow acoustic-based folk song.

The song is not only pleasing to the year, but also does teach use some theory behind it. It is written in the key of Am, and it starts with an arpeggiated chord progression played with fingers, accompanied by a chromatic descending bass line (A-G#-G-F#-F-E.). Let’s take a look at how it is constructed. The first bar opens up with an arpeggio, based on the A minor. As we already stated an arpeggio is nothing more than a consecutive play of the root, third, and tonic, so in Am you have – A, C, E and back to A an octave apart.

Stairway to Heaven Tablature


E-------5-7-----7-
B-----5-----5-----
G---5---------5---
D-7-------6-------

Take a look at the picture showing the A minor arpeggio fingering:

Followed by the 7th fret on the high E string played together with the 6th Fret on the D string.
This 6th fret on the D string or Ab is a passing tone.
The last 3 notes of the first bar create a C major 7.

Take a look at the proposed C Major 7 fingering:

This all leads intro riff to C major, which is the relative major to A minor.
(This is out of the G Form – See Ultimate Fretboard). In the 2nd bar the first 4 notes are a C major (G Form 2nd Octave)

Stairway to Heaven Tablature


E-8-----8-2-----2-
B---5-------3-----
G-----5-------2---
D-5-------4-------


This picture bellow shows the C Major fingering:

The following 4 notes in the 2nd bar create a D major Arpeggio, which is a C Form Inversion. Take a look at the D Major fingering:

The third Bar of the into riff is an Open F major7 Chord played as an arpeggio:

Stairway to Heaven Tablature


E-0---------0-----
B---1---1-----1---
G-----2---------2-
D-3---------------

Look at the shown F Major 7 fingering:

Finally, the last bar of the riff rests on one beat of G major before going into A minor.


-----------------|
-0-1-1-----------|
-0-2-2-----------|
-----------------|
-2-0-0---0--/8-7-|
-----------------|

It is interesting to note, that the last two notes lead into the second set, and are virtually identical to the first 4 bars.

Here are the 8 Bars together:

Intro:
E-------5-7-----7-|-8-----8-2-----2-|
B-----5-----5-----|---5-------3-----|
G---5---------5---|-----5-------2---|
D-7-------6-------|-5-------4-------|
A-----------------|-----------------|
E-----------------|-----------------|

E-0---------0-----|-----------------|
B---1---1-----1---|-0-1-1-----------|
G-----2---------2-|-0-2-2-----------|
D-3---------------|-----------------|
A-----------------|-2-0-0---0--/8-7-|
E-----------------|-----------------|

The Second 4 bars follow the first 4 bars, except the very first note which is an extension of the previous bar.

E---------7-----7-|-8-----8-2-----2-|
B-------5---5-----|---5-------3-----|
G-----5-------5---|-----5-------2---|
D---7-----6-------|-5-------4-------|
A-0---------------|-----------------|
E-----------------|-----------------|

E-0---------0-----|-----------------|
B---1---1-----1---|-0-1-1-----------|
G-----2---------2-|-0-2-2-----------|
D-3---------------|-----------------|
A-----------------|-2-0-0-----------|
E-----------------|-----------------|

Be sure to check the video, showing how the forms are used to create the “Stairway to Heaven” intro riff.

Admittedly this is not a perfect performance by any means. I suggest using the video and pictures to find the forms and then listening to the original to perfect your performance.

http://www.guitar5day.com/video/stair.wmv

I hope you enjoyed the lesson with pictures and Stairway to Heaven Tablature.

Hello everyone! This is sort of a continuation of the previous post dedicated to A chord played in 3 positions. Just as it was possible to finger A chord in 3 most used positions, so it is possible to do it with virtually any desired chord. Of course, knowledge of the notes that make up a particular chord is very useful, as it allows you to create convenient fingerings to place the chord wherever you want on the fretboard. But knowing each basic chord in three positions is already a good start, as it gives you the open chord, barred chord and another chord down the neck, all of which is useful in soloing in these positions.

So, just as in case with the example of A-chord, with which we had examined previously, it is built on the root (tonic), in our case C, the major third – E and a fifth – G. Very simply, these are the first, the third and the fifth notes of a major scale. So to get our first chord, which will be a C major chord utilizing open strings, I get the root note which is C on the 3rd fret of the 5^th string, add the major third – E on the fourth string, and the fifth – G on the open string. You see that there are some doublings – C on the second string, which emphasizes the root, and 3^rd on the 1^st open string to support its major character. We leave the 6th string unused, as even though it is a chord note, and will not sound bad, still having en extra third deep down will be a little too much.

You can also play a variation, as shown bellow. The only difference is that you finger the 1^st string on the third fret with your fourth finger to get a fifth on top of the chord. It definitely sounds sweeter than the basic voicing of the chord.

Let’s look at the second chord in the third position. This is one of the barré chords, where you use your first finger to bar the notes on the third fret, as if your finger served in place of capo. So you bar the third fret and putting your other fingers in the indicated positions you should have: fifth, root, fifth, root octave apart, major third and another fifth. There are two fingerings available; the first is more common, while the other uses a partial barré to leave your other fingers free to add additional notes.

And lastly, the standard barré chord on the eighth fret renders us the third chord shape. I call it an F-shape played on the 8th fret. It gives us root, fifth, root octave apart, a major third, another fifth and another root.  This chord has the root note both at the bottom and at the top, which makes it more prominent and may prove to be a better choice in some situation.

Practice these shapes and be sure to check the Guitar Secrets information by Andrew Koblick at http://www.guitar5day.com/tufg.html

Guitar Song Writing

Here is a Video on how guitar chords help the melody.

Chords used in Guitar Song Writing.

When picking chords for writing make sure you understand the principles of the Tonic, Sub-dominant and Dominant chords.

You can find more  song writing  info at:  Guitar Song writing

Hello everyone.

I wanted to share with you a simple, but yet very useful guitar exercise based on the use of a diminished triad scale. What makes this exercise so useful is that it accomplishes several things. Firstly, it helps you with the stretching of fingers. Secondly, it employs basic alternate picking (up – down), even though the real trick is to play it with apoyando (a method of plucking known in English as “rest stroke”, where after plucking the string, the pick rests on the adjacent string). Due to its rather specific construction this exercise will keep you concentrated the entire time.

I believe that all guitarists should spend a good portion on their practice time playing exercises. Yes, playing in a band is great, and following a creative impulse when writing a song is important, but the exercises are the instruments that help you progress reaching a new level of ability.  Also, don’t skip playing scales and arpeggios under any circumstances.  Scales and arpeggios based on them represent a consecutive play of notes, which make up the chord and are not just for beginners. They are known to be very rich in melodic expression, which makes them perfectly suitable for imaginative player wishing to create remarkable solos and riffs.

Well, speaking of the exercise – I do not know if there is a name to this exercise; it was shown to me by my guitar teacher and I benefited greatly from it. It is based on the diminished third scale.

Plat it against metronome, starting out slowly and making sure that each note sounds out clearly without unwanted sounds from other strings. Listen to the midi file, to make sure you are on the right track. Enjoy!

dim triad

E                             E  E  E  E  E  E  E

E||------------------------------------------------|

B||------------------------------------------------|

G||------------------------------------------------|

D||---------------------------------------------3--|

A||------------------------------2--5-----2--5-----|

E||--1------------------------4--------4-----------|

E  E  E  E  E  E  E  E     E  E  E  E  E  E  E  E

--------------------------|--------------------------|

--------------------------|-----------------------6--|

-----------------------4--|--------4--7-----4--7-----|

--------3--6-----3--6-----|--3--6--------6-----------|

--2--5--------5-----------|--------------------------|

--------------------------|--------------------------|

E  E  E  E  E  E  E  E     E  E  E   E    E  E   E  E

-----------------------7--|--------7--10S--11--8---------|

--------6--9-----6--9-----|--6--9-----------------10--7--|

--4--7--------7-----------|------------------------------|

--------------------------|------------------------------|

--------------------------|------------------------------|

--------------------------|------------------------------|

E   E  E  E   E  E  E  E     E  E  E  E  E  E  E  E

--8-------------------------|--------------------------|

-----10--7-----10--7--------|--7-----------------------|

------------8---------8--5--|-----8--5-----8--5--------|

----------------------------|-----------7--------7--4--|

----------------------------|--------------------------|

----------------------------|--------------------------|

E  E  E  E  E  E  E  E     E  E  E  E  E  E  E        E

--------------------------|--------------------------------|-----||

--------------------------|--------------------------------|-----||

--5-----------------------|--------------------------------|-----||

-----7--4-----7--4--------|--4-----------------------------|-----||

-----------6--------6--3--|-----6--3-----6--3--------------|-----||

--------------------------|-----------5--------5--------2--|-----||

_________

E – 8th

S – shift slide